These paintings are an exercise in spatial ambiguity; paintings where a pathway is negotiated between what exists, and what we believe to exist.

This painted stage slowly reveals itself as a false idyll, almost as if these figures fall short of enlightenment. Paint thins to the point of the substrate reveal, or sits astride the surface.
Fast and slow painting techniques contribute to an experience of simultaneous acceleration, and deceleration of time and movement.

This is painting as sport, engaging in the circuitous game of figure and field reversal.